The result was no consensus, default to keep, although the references - now creditably added - were not present at the time the earlier opinions to delete were given. Sandstein 21:07, 18 December 2006 (UTC)[reply]
Delete due to lack of any reliable sources indicating this filmmaker meets the criteria outlined in WP:BIO. No evidence found that any of the films (or the given film-about-a-film) are notable either, or that the contribution to the filmzine named is substantial. --Kinu t/c 19:56, 11 December 2006 (UTC)[reply]
Sarah Jacobson definitely meets the criteria for inclusion. She has been reviewed, interviewed and written about in many national publications including The New York Times, Village Voice, Film Threat, Spin , Bust and Austin Chronicle among others. She and her work are known internationally, not just in the U.S. She has without doubt received recognition in her specific field and her work has been championed by film critics such as Roger Ebert and Amy Taubin, filmmaker Allison Anders and musician Kim Gordon, among many others. She has been written about by Wheeler Winston Dixon, one of the foremost authorities on "Underground" film, and cinema in general. Upon her death memorial screenings were held in cities across the U.S., including New York, San Francisco and Austin and even as far away as Switzerland. As we see, Sarah Jacobson meets the guidelines for inclsion in every way as they are outlined in "Guide for inclusion" on the WP:BIO page. -Intheshadows 20:17, 17 December 2006 (UTC)[reply]
The person made a widely recognized contribution that is part of the enduring historical record in their specific field.: The article has established through references and citations that Jacobson's work was noted and praised in the film industry, especially her field, the Independent Film Industry. Painters, sculptors, architects, engineers, and other professionals whose work is widely recognized (for better or worse) and who are likely to become a part of the enduring historical record of that field.: For every genre and generation of artists there are a number of examples that stand as representatives of that field. Both I Was a Teenage Serial Killer (1993) and Mary Jane's Not a Virgin Anymore (1997) have been praised as representative of the [[1]] independent film movement.--David Straub 12:28, 18 December 2006 (UTC)[reply]