Charlie Parker, saxophonista inter maximos musicos aevi bebop numeratus, una cum Thoma Potter, Max Roach, et Miles Davis coram populo prodit in Three Deuces, sodalitate Novi Eboraci constituta.Dizzy Gillespie in Downbeat Club Novi Eboraci circa 1947."Contra explanationes originum horum verborum, actores verba bebop et rebop in prima locutione bop revera cecinerunt, ut in exemplo sequente monstratur."[1][2]PlayinfoNonnulli musici bebop lumina in 52nd Street sunt, Maio 1948.Thelonius Monk, Howardus McGhee, Roy Eldridge, et Theodorus Hill ante Minton's Playhouse, Novi Eboraci, Septembri 1947.
Bebop est genusmusicae jazz cuius proprietates sunt tempus rapidum ac dexteritas instrumentorum musicorum et perfunctionis extemporalis suspensa mixturà structurae harmonicae, usùs graduum sonorum nec non significationum melodiae per occasionem factarum. Bebop primis et mediis annis 1940 effecta est. Quo factum est, ut hic modus canendi ad ultimum jazz moderna esse putaretur, quia utrumque genus certam maturitatem annis 1960 attigit.
Bebop orta est, cum iuventus jazzicorum modum popularem musicae swing superare vellet novis introductis musicae modis ad saltandum minus aptis, qui nihil nisi attentas aures poscerent.[3] Quia non iam ad modos bebop saltabatur, temporibus rapidioribus uti licuit. Musici bebop praeterea harmonias provectiores, syncopas multiplices, alternationes et extensiones substitutionesque chordarum, phrases asymmetricas, melodias plectiles, rhythmosque inauditos explorabant. Grex bebop in saxophono, trompeta, cithara, clavili, contrabasso tympanorumque apparatu consistere solebat.
Cithara. Kenny Burrell, Carolus Christian, Herbertus Ellis, Barney Kessel, Patricius Martino, Wes Montgomery, Iosephus Pass, Jimmy Raney, Ronaldus Singer
Clavile. Tadd Dameron, Gualterius Davis, Jr., Gulielmus Evans, Albertus Haig, Sadik Hakim, Barry Harris, Ahmad Jamal, Dux Jordan, Ludovicus Levy, John Lewis, Dodo Marmarosa, Carolus Mingus, Thelonius Monk, Oscar Peterson, Bud Powell, Horatius Silver, Leonardus Tristano, Georgius Wallington
Saxophonum altum. Cannonball Adderley, Lee Konitz, Carolus McPherson, Franciscus Morgan, Carolus Parker, Arthurus Pepper, Sonny Stitt
Saxophonum baritonum. Pepper Adams
Saxophonum tenor. Donaldus Byas, John Coltrane, Dexter Gordon, Wardell Gray, Sonny Rollins, Carolus Rouse, Sonny Stitt, Lucky Thompson
Trombonum. Carolus Fontana, Curtis Fuller, J. J. Johnson, Franciscus Rosolino
Trompeta. Chet Baker, Clifford Brown, Miles Davis, Kennethus Dorham, Dizzy Gillespie, Howardus McGhee, Blue Mitchell, Lee Morgan, Fats Navarro, Red Rodney, Eduardus Zandy
Vibraphonum. Miltonius Jackson
Vox. Elizabetha Carter, Gulielmus Eckstine, Ella Fitzgerald, Sara Vaughan
Notae
↑Anglice: "In spite of the explanations of the origins of these words, players actually did sing the words 'bebop' and 'rebop' to an early bop phrase as shown in the following example."
Baillie, Harold B. 1987. Swing to Bop: An Oral History of the Transition of Jazz in the 1940s. Oxoniae: Oxford University Press.
Berendt, Joachim E. 1975. The Jazz Book: From Ragtime to Fusion and Beyond. Conv. H. et B. Bredigkeit, cum Dan Morgenstern. Westport Connecticutae: Lawrence Hill & Co.
Deveaux, Scott. 1999. The Birth of Bebop: A Social and Musical History.' Berkeleiae: University of California Press.
Martin, Denis-Constant. 2001. De l’excursion à Harlem au débat sur les «Noirs», Les terrains absents de la jazzologie française. L’Homme 158–159:261–278.
Owens, Thomas. 1996. Bebop: the music and its players. Oxford University Press.
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