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Welcome to the Toronto Experimental Music Project!
Our_Retired_Explorer (talk · contribs) (founder of TEMPUS (FUGGIT), Mechanical Forest Sound, Track Could Bend)
Pages to improve:
Articles to Create:
--quoting the liner notes, " 'we wanted to create not only a new work or a new instrument, but a new composer, a six-brained, twelve-handed individual, to see what it would come up with.'" --Harry Freedman's review of CCMC Vol. III Music Gallery Editions MGE 6), Musicworks (when it was a supplement to Paper Today) --Musicworks 39, Fall 1987, importance of documentation, Interview with Michael Snow on his album "The Last LP", interviewed by Gayle Young, "Gayle: "...Since the beginning CCMC has recorded every concert, is that true? MS: Yes, that's whatever it is, thirteen years of at least twice a week, and then once a week, plus the tours. A lot of tape, yes. GY: I wonder if this provided you with an understanding of the importance of recording that someone else may not have. Because improvised music is unrepeatable except by recording. MS: That's true and that's one important aspect of recording, that it can fix what can't be heard again, that's for sure." (page 19) --Musicworks no 13, fall 1980, article by Allan Mattes on 'Ear it Live In Toronto (Joe, Read this)
Articles that exist and can be improved:
