The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

The result was keep. Overall consensus is for the article to be retained. Further discussion about the article can continue on its talk page, if desired. North America1000 01:46, 27 November 2017 (UTC)[reply]

Working in layers[edit]

Working in layers (edit | talk | history | protect | delete | links | watch | logs | views) – (View log · Stats)
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PROD reverted without improvement. Original research since 2006. A search today did not turn up authoritative sources, although I bet there must be some. The article fails WP:V unless it can be substantiated. Rhadow (talk) 13:43, 19 November 2017 (UTC)[reply]

Note: This debate has been included in the list of Arts-related deletion discussions. ʍaɦʋɛօtʍ (talk) 14:52, 19 November 2017 (UTC)[reply]
Note: This debate has been included in the list of Visual arts-related deletion discussions. ʍaɦʋɛօtʍ (talk) 14:52, 19 November 2017 (UTC)[reply]
  • walking by moving legs
  • breathing by inhaling
  • writing with words
  • chewing while eating 198.58.171.47 (talk) 05:51, 24 November 2017 (UTC)[reply]
Yes, you are missing something here. Fresco, watercolour, & most gouache/bodycolour/chalk dry within seconds to a couple of hours, and don't ever or at least usually work in layers, nor I think does tempera, so the concept was new at the start of oil painting. Johnbod (talk) 13:45, 24 November 2017 (UTC)[reply]
Isn't it the opposite? "Working in layers" is the optical blending of a fast-drying medium, rather than being able to re-work paint in a still-workable state - even if the second is applied in layers, the layers don't necessarily remain in the finished work. Andy Dingley (talk) 14:43, 24 November 2017 (UTC)[reply]
Not according to the article, and say this. But it is optical blending. Apparently you can do it in tempera though (says the article), but not in fresco. Note Wet-on-wet too. Johnbod (talk) 18:19, 24 November 2017 (UTC)[reply]
If you had ever painted, you would know that one almost never applies paint (or watercolour for that matter) in a single layer. There's really no "single layer" painting process other than paint by numbers.198.58.171.47 (talk) 20:59, 24 November 2017 (UTC)[reply]
And fresco for one, as I keep saying. If you're going to be a smartarse, at least get it right. Johnbod (talk) 19:53, 25 November 2017 (UTC)[reply]
Fresco? I looked that up on Wikipedia: "In painting buon fresco, a rough underlayer called the arriccio is added to the whole area to be painted and allowed to dry for some days." I'm not trying to be a smartass. I am simply pointing out the fact that all painting process except painting by numbers typically involve painting in successive layers to achieve a visual effect. Even painting your kitchen typically involves a primer and two coats of paint.. aka "painting in layers".198.58.171.47 (talk) 05:15, 26 November 2017 (UTC)[reply]
That's not how fresco works, that's not what "painting in layers" means. Andy Dingley (talk) 11:00, 26 November 2017 (UTC)[reply]
Yup - the arriccio is plain plaster, as is the next intonaco coat. Then the painting begins, and in "true fresco" has to be finished in a few hours for each area. Johnbod (talk) 14:33, 26 November 2017 (UTC)[reply]
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.