The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

The result was Speedy keep This article concerns an important literary character and narrative device. A strange choice to mention Moby Dick, as Ishmael, the narrator of that novel, also has his own article here. Their respective novels are important in the literary Canon for the English language on numerous levels - construction, morality, philosophy, a reflection of the times in which they were authored, etc. To say that Scheherazade is merely a passive voice is to misunderstand her function, both in terms of the novel and the evolution of literary expression - Tom Jones and Tristram Shandy to name but two later novels that experimented with the narrative voice. The article can be expanded with a little research. WP:SNOW refers to this closure. The two remaining articles can be independently nominated. (aeropagitica) 23:28, 20 December 2006 (UTC)[reply]

Scheherazade[edit]

Scheherazade (edit | talk | history | protect | delete | links | watch | logs | views)

I know that the well read people are going to throw their hands up in the air and say "if characters like Harry Potter and Captain Kirk can have pages of their own why not a literary giant like Scheherazade", well please don't do an automatic keep, read my arguments before voting.

The page is very small in comparison to other heroines like Medea and this is for a very good reason; Scheherazade is a part of the frame story and so doesn't have an active part in the stories so there is very little to say about her, other than she gets married, tells stories for 1001 nights and then lives happily ever after, the end. Unlike Harry Potter and Captain Kirk and Medea, Scheherazade's character is not flushed out, she's only there to allow movment from one story to the next, which she does with very few words. The page itself is unreferenced and all the information on it is already or could be easily put on The Thousand and One Nights. Captain Ahab, from Moby Dick, is far more influential on his story than Scheherazade is on her's, but he doesn't have a page of his own, only a subheading on the book's page and I think the same should be done with Scheherazade. I have also nominated Shahryar and Dunyazad for the same reasons. Hera1187 18:10, 20 December 2006 (UTC)[reply]

I am also nominating the following related as the same argument applies to them only to a greater extent:

To continue with the Moby Dick example, neither Tashtego nor Dagoo have articles; I don't know if one can argue that Shahryar and Dunyazad are significant enough to warrant their own articles, but merging them into the book's might be a way to improve the latter by expanding its coverage. I might also argue that Ahab does deserve his own article, but I'm not gonna do it.--Dmz5 19:13, 20 December 2006 (UTC)[reply]
Fair point re: WP:SNOW - it does seem rather unlikely that many users will agree with this nomination. Can we unbundle the other two minor characters and have a new thread about them? That seems likely to generate discussion.--Dmz5 19:52, 20 December 2006 (UTC)[reply]
The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.