Stripped to Kill | |
---|---|
Directed by | Katt Shea |
Written by | Andy Ruben Katt Shea |
Produced by | Mark Byers executive Roger Corman |
Starring | Greg Evigan Kay Lenz Norman Fell Pia Kamakahi Tracy Crowder |
Cinematography | John LeBlanc |
Edited by | Zach Staenberg Bruce Stubblefield |
Music by | John O'Kennedy |
Production company | |
Distributed by | Concorde Pictures |
Release date |
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Running time | 88 minutes |
Country | United States |
Language | English |
Stripped to Kill is a 1987 erotic thriller/sexploitation film directed by Katt Shea and starring Greg Evigan, Kay Lenz and Norman Fell.[1]
A female detective is forced to go undercover as a stripper in order to investigate a murder.
The film was inspired by a visit Katt Shea and her husband and writing partner Andy Ruben made to a strip club.[2]
"I didn't want to go because I felt it was humiliating to women," recalls Shea. "But I finally got myself there. I sat down and began watching these acts and they're performing as if they really cared."[3]
Shea later elborated:
Before I did STRIPPED TO KILL you had never seen a girl dancing on a pole, no one had ever seen that in a movie, to my knowledge. Girls swinging around on a pole--that had not been done yet. So I think that was spectacular; it was crazy, it was wild. This is how it happened. I went to a strip club for the first time in my life and I saw a girl swinging around on a pole and I thought, ‘Oh my god this has got to be in a movie!’ I mean, nobody knows this goes on except a bunch of guys with dollar bills, so it just had to be exploited, I guess. I thought they were very artistic and I just loved the girls, they were real artists and they were just using this particular venue to explore their art.[4]
She took the idea to Roger Corman for whom she had made a number of movies as an actor. Corman says he liked the basic idea but questioned the believability of a scene where a man went undercover as a stripper. Shea brought in a female impersonator to see Corman and had him describe to the producer who to pretend to be a stripper. "He [Corman] turned every shade," recalls Shea. "He was purple by the end. But then he said yes."[3]
Lenz was worried about playing a stripper at age 34 until she found out in research many of the strippers had college student children.[5]
Kay Lenz complained publicly about the film's editing and "exploitative" ad campaign aimed at the print media.[6]
The Los Angeles Times said the film "fulfills its sex and violence quota-actually, it's fairly tame in these departments-but also has some style and substance as well. "[7]
The film was a hit and led to a sequel, shot on the same set as Dance of the Damned. The sequel was also directed by Shea who took her name off because of Corman's editing interference.[8]