A dancer spotting towards the viewer while performing fouettés

Spotting is a technique used by dancers during the execution of various dance turns. The goal of spotting is to attain a constant orientation of the dancer's head and eyes, to the extent possible, in order to enhance the dancer's control and prevent dizziness.

As a dancer turns, spotting is performed by rotating the body and head at different rates. While the body rotates smoothly at a relatively constant speed, the head periodically rotates much faster and then stops, so as to fix the dancer's gaze on a single location (the spotting point, or simply the spot). Dancers will sometimes focus on an actual visual spot if one is available (e.g., a light or other object), but if no suitable object is available they will attempt to end each head rotation in a consistent orientation. The spotting point may be another dancer, in which case the spot may move.[1]

Usage

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Spotting is advantageous for dancers in several ways:

Spotting technique is employed for many types of turns, including pirouettes and chaînés. It is deliberately avoided in some types of turns, however. For example, adagio turns — in which the aesthetics are intended to convey serenity and calm — would be disturbed by the abrupt head movements of spotting. Turns in adagio style include turns in arabesque or attitude positions.[3]

In some cases multiple spots may be used during a turn. For example, during a Salsa cross-body lead with inside turn, the lady spots away from her partner to control travel and then spots on her partner to control the stop of rotation.

In video games

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An adaptation of spotting is used in first person video games to avoid simulation sickness caused by scenery changes that are uncorrelated with body movement. For example, a visible crosshair or targeting reticle is provided in Mirror's Edge as a spotting reference point.[4]

Dance notation

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In Labanotation, spotting is recorded as a face sign followed by the "spot hold" sign, which is a diamond shape () with a dot in the center.[1]

References

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  1. ^ a b Ann Hutchinson Guest (2004) "Labanotation: The System of Analyzing and Recording Movement", ISBN 0-415-96561-6, p.399
  2. ^ Kenneth Laws, Martha Swope (2002) "Physics and the Art of Dance: Understanding Movement", ISBN 0-19-514482-1, p. 67
  3. ^ Robert Greskovic (2006) "Ballet 101: A Complete Guide to Learning and Loving the Ballet", ISBN 0-87910-325-6, pp. 521, 527
  4. ^ Totilo, Stephen (March 7, 2008). "EA Discusses Mirror's Edge Sickness Concerns, Lack Of Color Green". MTV. Archived from the original on January 21, 2016. Retrieved May 12, 2008.