Saraband for Dead Lovers | |
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Directed by | Basil Dearden |
Written by | Helen Simpson (novel) John Dighton Alexander Mackendrick |
Produced by | Michael Balcon Michael Relph (associate producer) |
Starring | Stewart Granger Joan Greenwood |
Cinematography | Douglas Slocombe |
Edited by | Michael Truman |
Music by | Alan Rawsthorne |
Production company | |
Distributed by | Eagle-Lion Films General Film Distributors J. Arthur Rank Film |
Release date | 4 October 1948 |
Running time | 96 minutes |
Country | United Kingdom |
Language | English |
Box office | 1,315,516 admissions (France)[1] |
Saraband for Dead Lovers (released in the United States. as Saraband) is a 1948 British historical drama film directed by Basil Dearden and starring Stewart Granger and Joan Greenwood. It is based on the novel by Helen Simpson. Set in seventeenth century Hanover, it depicts the doomed romance between Philip Christoph von Königsmarck and Sophia Dorothea of Celle, the wife of the Elector of Hanover.
Jim Morahan, William Kellner and Michael Relph were nominated for the Academy Award for Best Art Direction - Set Decoration, Color.[2]
Sophie Dorothea (Joan Greenwood) seeks solace from dashing Count Philip Konigsmark (Stewart Granger) when her husband Prince George Louis (Peter Bull), later to become King George I of Great Britain, wants nothing to do with her. The lovers are brought down by a jealous Countess Platen (Flora Robson).
Mai Zetterling was originally announced for the lead role.[3]
George MacDonald Fraser, writing in 1988, said of the film,"Saraband tells the story [of Sophia and Konigsmark] with complete fidelity, and only the smallest of romantic touches, and makes an enthralling film of it. Stewart Granger (Konigsmark) was born for this kind of costume picture, and Joan Greenwood is an appealing Sophia. ... Best of all, the film conveys in a few brief scenes, the stifling monotony of court life in a pretentious little German state; in this too, Saraband is good history."[4]
The acclaimed production design and art direction (nominated for an Academy Award) was complemented by the excellent cinematography by Douglas Slocombe.