.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in Spanish. (December 2011) Click [show] for important translation instructions. View a machine-translated version of the Spanish article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Pedro Di Lascio]]; see its history for attribution. You may also add the template ((Translated|es|Pedro Di Lascio)) to the talk page. For more guidance, see Wikipedia:Translation.

Pedro Di Lascio (1900–1978) was a Paraguayan painter and engraver.

Collections

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Works by Peter Di Lascio can be seen at the Museo Julián de la Herrería and the Centro de Artes Visuales of the Museo del Barro, both in Asunción; in the Braniff collection selected by the University of Texas, United States; at the Instituto Ítalo Latinoamericano, Rome; at the Museo de Cultura Hispánica in Madrid; at the Museo de Arte Hispano Americano in Montevideo, Uruguay; and in private collections in the United States, Spain, France, Italy, Argentina, Germany, Brazil and Paraguay.


Sources

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