Patrick | |
---|---|
File:Patrick (film).jpg | |
Directed by | Richard Franklin |
Written by | Everett De Roche |
Produced by | Richard Franklin Antony I. Ginnane |
Starring | Susan Penhaligon Robert Helpmann Rod Mullinar |
Cinematography | Donald McAlpine |
Edited by | Edward McQueen-Mason |
Music by | Brian May |
Release dates | 1 October 1978 (Australia) 9 May 1979 (France) |
Running time | 112 min., 140 min. (original cut) |
Country | Australia |
Language | English |
Budget | $400,000[1] |
Patrick is a 1978 Australian horror film directed by Richard Franklin and written by Everett De Roche. It is the pivotal movie of respected Australian director Richard Franklin's career.[2]
Patrick (Robert Thompson) lies in a coma in a Melbourne private hospital. He had murdered his mother and her lover three years ago by electrocuting them in the bath. Patrick, who has psychokinetic powers, falls in love with Kathy (Susan Penhaligon), the new nurse at the hospital, communicating with her via an electric typewriter. Patrick also uses his psychokinetic powers to control the men in Kathy's life and to defend himself against the hospital's bitter Matron Cassidy (Julia Blake) who plots to murder him.[3]
The movie was highly successful, selling to over 30 countries.[1]
The film was nominated in three categories, including Best Film, at the 1978 AFI Awards. Franklin also won the Best Director prize at the prestigious Sitges Fantasy Film Festival in Spain.[4]
The Encyclopedia of Fantasy notes the similarity between the movie's plot and that of the novel Tetrasomy Two by "Oscar Rossiter" (non de plume of Dr. Vernon H.Skeels (1918-2007) )[5].
In Italy, the film was rescored by Goblin.
In February 2010, it was announced that Mark Hartley would direct a remake of the movie,[6] with Antony I Ginnane as producer.[7] It will be Hartley's genre feature film debut.[8]
A sequel made in Italy with Italian actors was titled Patrick Still Lives and released in 1980.
Quentin Tarantino is a fan of the movie and borrowed from Patrick for a scene in Kill Bill where the bride is in her coma and spits on the orderly, mimicking Patrick. He relates the story in Mark Hartley's documentary Not Quite Hollywood.
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