Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker, and the most important Spanish artist of the late 18th and early 19th centuries. Immensely successful in his lifetime, he is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great portraitists of his time. [1]
The following is an incomplete list of Francisco Goya's works. Besides the blue-linked articles, many images can be found at Wikimedia Commons.
Consecration of Aloysius Gonzaga as patron saint of youth | c. 1763 | Saragossa Museum, Spain | |||
Apparition of the Virgin of the Pillar to Saint James and his Saragossan disciples | c. 1769 | Collection of Pascual de Quinto, Saragossa, Spain | |||
The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory | c. 1769 | Collection of Marquess de las Palmas
Jerez de la Frontera, Spain | |||
Hannibal the Conqueror | 1770 | Foundation Selgas-Fagalde (Cudillero, Asturias). | |||
Martin Zapater | 1770 | Museo de Bellas Artes de Bilbao | |||
The Sacrifice to Vesta | 1771 | Collection of Felix Palacios Remondo, Zaragoza | |||
The Sacrifice to Priapus | 1771 | private collection, Barcelona | |||
The rape of Europa | 1772 | private collection, USA | |||
The Adoration of the Name of God | 1772 | Basílica de Nuestra Señora del Pilar, Zaragoza | |||
Frescoes in the Cartuja de Aula Dei | 1774 | Charterhouse of Aula Dei | |||
Bautismo de Cristo | 1775-1780 | Private collection Condes de Orgaz, Madrid |
Spain | ||
Tapestry Cartoons | 1775–1792 | Prado Museum, Madrid | |||
The Parasol | 1777 | Prado Museum, Madrid | |||
Blind Guitarist | 1778 | Prado Museum, Madrid | |||
The Swing | 1779 | Prado Museum, Madrid | |||
Crucified Christ | 1780 | Prado Museum, Madrid | |||
The Queen of Martyrs | 1780–81 | Basílica de Nuestra Señora del Pilar | |||
The Count of Floridablanca and Goya | 1783 | Banco of Spain, Madrid | |||
Family of Infante Don Luis | 1784 | Fondazione Magnani-Rocca, Italy | |||
The Sermon of Saint Bernardino of Siena | 1784 | San Francisco el Grande, Madrid | |||
The Annunciation | 1785 | private collection, Spain | |||
The Marquesa de Pontejos | c. 1786 | National Gallery of Art, Washington, D.C. | |||
The Snowstorm (La Nevada) | 1786 | Prado Museum, Madrid | |||
Spring (or The Flower Girls) | 1786–87 | Prado Museum, Madrid | |||
Manuel Osorio Manrique de Zuñiga | 1787–88 | Metropolitan Museum of Art, New York City | |||
The Countess of Altamira and her Daughter | 1787–88 | Metropolitan Museum of Art, New York City | |||
María Ramona de Barbachano | 1787–1788 | Private collection | France | ||
Antonio Adán de Yarza | 1787–1788 | Private collection | France | ||
Bernarda Tavira | 1787–1788 | Private collection | France | ||
St Francis Borgia at the Deathbed of an Impenitent | 1788 | St. Francisco Catedral, Valencia | |||
Family of the Duke of Osuna | 1788 | Prado Museum, Madrid | |||
Self-portrait | c. 1790–1795 | ||||
La Tirana (Goya) | 1790-1792 | Academy of San Fernando, Madrid | |||
Playing At Giants | 1791–92 | Prado Museum, Madrid | |||
Portrait of Mariana Waldstein | c. 1792 | Louvre, Paris | |||
Strolling Players | 1793 | Prado Museum, Madrid | |||
Fire at Night | 1793–94 | Banco Inversion-Agepasa, Madrid | |||
Yard with Lunatics | 1793–94 | Meadows Museum, Dallas, Texas | |||
Prison Interior | c. 1793–94 | Bowes Museum | |||
Asalto de ladrones | 1793–94 | Colección Juan Abelló[2] | |||
The Madhouse | 1794 | Virginia Meadows Museum and Elizabeth Meadows Sculpture Court, Dallas, Texas | |||
The Marquesa de la Solana | c. 1793–1795 | Louvre, Paris | |||
Duchess of Alba (The White Duchess) | 1795 | House of Alba, Madrid | |||
Duchess of Alba & Her Duenna | 1795 | Prado Museum, Madrid | |||
Portrait of the Matador Pedro Romero | c. 1795–1798 | Kimbell Art Museum | |||
Self-Portrait on Linen | 1795–1797 | Prado Museum, Madrid | |||
Duchess of Alba (The Black Duchess) | 1797 | Hispanic Society of America, New York City | |||
Que se la llevaron! (So they carried her off!) | 1797–98 | Prado Museum, Madrid | |||
What a sacrifice! | 1797–98 | Los Angeles County Museum of Art | |||
The Sleep of Reason Produces Monsters | 1797–98 | Los Angeles County Museum of Art | |||
Witches' Flight | 1797–98 | Prado Museum, Madrid | |||
The Spell | 1797–98 | ||||
The Witches' Kitchen | 1797–98 | ||||
The Devil's Lamp | 1797–98 | ||||
The Stone Guest | 1797–98 | ||||
They say yes and give their hand to the first comer | 1797–98 | Los Angeles County Museum of Art | |||
You who cannot | 1797–98 | ||||
Self-Portrait with Spectacles | 1797–1800 | ||||
Miracle of St. Antony | 1798 | ||||
The Taking of Christ | 1798 | Cathedral, Toledo | |||
Ferdinand Guillemardet | 1798 | Louvre | |||
A Miracle of St. Anthony of Padua” and other scenes | 1798 | San Antonio de la Florida, Madrid | |||
Witches Sabbath (1798) | 1798 | Museum Lasaro Galdiano, Madrid | |||
Queen Maria Luisa, on Horseback | 1799 | Prado Museum, Madrid | |||
Countess of Chinchon | 1800 | Prado Museum, Madrid | |||
La maja desnuda | 1800 | Prado Museum, Madrid | |||
Charles IV of Spain and His Family | 1800–01 | Prado Museum, Madrid | |||
La maja vestida | c. 1800–1805 | Prado Museum, Madrid | |||
Josefa Bayeu (Leocadia Weiss) | c. 1800-1814 | ||||
Bartolome Sureda y Miserol | c. 1803–04 | National Gallery, Washington D.C | |||
Ignacio Garcini y Queralt, Brigadier of Engineers | 1804 | Metropolitan Museum of Art, New York City | |||
Josefa de Castilla Portugal y van Asbrock de Garcini | 1804 | Metropolitan Museum of Art, New York City | |||
Isabel de Porcel | 1804–05 | National Gallery, London | |||
Francisca Sabasa y Garcia | 1804–1808 | National Gallery, Washington D.C | |||
Doña Teresa Sureda | c. 1805 | ||||
Doña Antonia Zárate | c.1805 | National Gallery of Ireland | |||
Young Woman with a Fan | 1805–1810 | ||||
Portrait of Doña Isabel de Porcel | c. 1805 | National Gallery, London | |||
The Colossus | c. 1808–1812 | Prado Museum, Madrid | |||
Majas on a Balcony | c. 1808–1812 | ||||
General Manuel Romero | c. 1810 | private collection, Chicago | |||
Time (Goya) | 1810 | ||||
Contra el bien general | c. 1810 | ||||
Allegory of the City of Madrid | 1810 | Casa del Ayuntamiento, Madrid | |||
José Costa y Bonells, called Pepito | c. 1810 | Metropolitan Museum of Art, New York | |||
Time and the Old Women | c. 1810–1812 | Musée des Beaux-Arts, Lille, Fr. | |||
Time | c. 1810–1812 | ||||
Majas on a Balcony | 1810–1812 | Metropolitan Museum version | |||
Portrait of the Duke of Wellington | 1812–1814 | National Gallery, London | |||
Doña Antonia Zárate | c. 1811 | Hermitage, St. Petersburg | |||
Dead Turkey | 1812 | ||||
The Burial of the Sardine | 1812–1819 | Real Academia de Bellas Artes de San Fernando, Madrid | |||
The Majas on the Balcony | c. 1812 | Metropolitan Museum of Art, New York | |||
This is worse | c. 1812–13 | ||||
Mariano Goya | c. 1812–1814 | private collection, Madrid | |||
Portrait of Ferdinand VII of Spain | 1814 | Museo de Arte Moderno y Contemporáneo de Santander y Cantabria | |||
Portrait of Rita Moon Luna | 1814 | ||||
Ferdinand VII in an Encampment | c. 1814 | Prado Museum, Madrid | |||
The Second of May 1808 | 1814 | Prado Museum, Madrid | |||
The Third of May 1808 | 1814 | Prado Museum, Madrid | |||
Young Women with a Letter | c. 1814–1818 | Musée des Beaux-Arts, Lille | |||
May the rope break! | c. 1815 | ||||
Self-Portrait | 1815 | Academy of San Fernando | |||
Unfortunate events in the front seats of the ring of Madrid, and the death of the Mayor of Torrejon | 1815–16 | ||||
La Tauromaquia (33 plates) | 1815–16 | ||||
Burial of the Sardine (sketch) | c. 1816 | Real Academia de Bellas Artes de San Fernando, Madrid | |||
The Inquisition Tribunal | c. 1812-1819 | Real Academia de Bellas Artes de San Fernando, Madrid | |||
The Procession | c. 1816 | ||||
SS. Justa and Rufina | 1817 | Cathedral, Seville | |||
The Forge | c. 1817 | Frick Collection, New York | |||
The Giant | 1818 | Museum of Fine Arts, Boston | |||
Portrait of Don Juan Antonio Cuervo | 1819 | Cleveland Museum of Art | |||
The Last Communion of St. Joseph of Calasanz | 1819 | Escuelas Pías de San Antón, Madrid | |||
Agony in the Garden (Goya) | 1819 | Escuelas Pías de San Antón | . | ||
Self-portrait with Dr Arrieta | 1820 | Minneapolis Institute of Arts, Minnesota | |||
Tiburcio Pérez y Cuervo, the Architect | 1820 | Metropolitan Museum of Art, New York | |||
Women Laughing | 1819-1823 | Prado Museum, Madrid | |||
Men Reading | c. 1821–1823 | Prado Museum, Madrid | |||
Carnival Scene | 1820–1824 | ||||
Atropos (The Fates) | 1820–1823 | Prado Museum, Madrid | |||
Goat (Goya) | 1820–1823 | ||||
Fight with Cudgels | 1820–1823 | ||||
Two Women | 1820–1823 | ||||
Deaf Man | 1820–1823 | ||||
Asmodea | 1820–1823 | ||||
Old Men Eating | 1820–1823 | ||||
The Dog | 1820–1823 | Prado Museum, Madrid | |||
Fight with Cudgels | 1820–1823 | Prado Museum, Madrid | |||
The Great He-Goat or Witches Sabbath | c. 1821–1823 | Prado Museum, Madrid | |||
Saturn Devouring His Son | c. 1821–1823 | Prado Museum, Madrid | |||
Two Old Men | c. 1821–1823 | ||||
Two Old Women Eating from a Bowl | c. 1821–1823 | ||||
Two Young People Laughing at a Man | c. 1821–1823 | ||||
Portrait of Don Ramon Satué | 1823 | Rijksmuseum, Amsterdam | |||
Portrait of José Duaso y Latre | 1824 | Museum of Fine Arts of Seville | |||
Leandro Fernández de Moratín | 1824 | Museo de Bellas Artes, Bilbao, Spain | |||
Monk Talking to an Old Woman | 1824-25 | Princeton University Art Museum | |||
Portrait of Jacques Galos | 1826 | Barnes Foundation | |||
The Milkmaid of Bordeaux | 1825–1827 | Prado Museum, Madrid | |||
Don Juan Bautista de Muguiro | 1827 | Prado Museum, Madrid | |||
Don José Pío de Molina | 1827–28 | Reinhart Collection, Winterthur | |||
Striker Family Goya | unknown dating |
Unknown
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