Gilbert Hage (born in Beirut, Lebanon, 1966) is a Lebanese photographer. He studied at the Université Saint-Esprit de Kaslik and teaches there since 1990. He also teaches at the Académie Libanaise des Beaux-Arts ALBA.[1] He sometimes collaborates with curator and researcher Ghada Waked, his wife, and is co-publisher and co-editor, with Jalal Toufic, of Underexposed Books.[2][3]

Work

In 2004, he introduced Ici et Maintenant (Here and now), an encyclopedia like collection of large scale portraits of Lebanese citizens aged 18–30, all posing in the same position and looking directly at the camera.[4]

Gilbert Hage took advantage of cell phones cameras to take shots of women’s cleavage in his series Phone[Ethics] that was part of the 2011 Rencontres d'Arles.[5]

In the Aftermath of the 2006 Lebanon War, Hage documented buildings in Beirut's southern suburbs that were bombed, in a frontal and monumental framing.[6]

In 2009, Gilbert Hage produced a series of Eleven Views of Mount Ararat. Referring to Hokusai’s Thirty-six Views of Mount Fuji, the photos depict representations of the famous mountains in homes of the Armenian community in Lebanon.[7]

In 2018, Gibert Hage was selected to be part of The Place That Remains, the first national Pavilion of Lebanon curated by Hala Younes at the Venice Biennale of Architecture[8]

Publications

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Selected exhibitions

Solo exhibitions

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Group exhibitions

References

  1. ^ "Alumnus (a) distingué(e)". Université Saint-Esprit de Kaslik. Archived from the original on 19 December 2012. Retrieved 18 February 2012.
  2. ^ Philippe Niorthe (16 October 2008). "Beyrouth 2002". Chez Moi Chez Toi. Retrieved 18 February 2012.
  3. ^ "HAGE Gilbert". Beirut Exhibition Center. Archived from the original on 16 February 2018. Retrieved 18 February 2012.
  4. ^ "Facing Mirrors". Thessaloniki Museum of Photography. September 2011. Archived from the original on 2013-02-17. Retrieved 18 February 2012.
  5. ^ Joseph Gergel (January 26, 2012). "From Here On: Neo Appropriation Strategies in Contemporary Photography". interventionsjournal. Archived from the original on 31 May 2016. Retrieved 18 February 2012.
  6. ^ Florence Thireau (February 17, 2009). "Cutting-edge art that explores timeless societal ills". The Daily Star. Archived from the original on 16 December 2019. Retrieved 18 February 2012.
  7. ^ "Eleven Views of Mount Ararat, 2009". Sharjah Art Foundation. 2011. Archived from the original on 2012-04-05. Retrieved 18 February 2012.
  8. ^ "The Place that remains". Lebanese Pavilion, Venice Biennale 2018. 2018. Archived from the original on 26 February 2018. Retrieved 26 February 2018.
  9. ^ "Troisième biennale des photographes du monde arabe contemporain". Institut du Monde Arabe. 2019. Retrieved 10 October 2019.
  10. ^ "Across Boundaries. Focus on Lebanese Photography" (PDF). Rania Matar website. 2018. Retrieved 30 November 2018.
  11. ^ "Lebanon. The Place that Remains". Venice Biennale. 2018. Retrieved 3 June 2018.

External links

Authority control databases
Categories