Firebird is a 2021 romanticwardrama film directed, co-written, and co-produced by Peeter Rebane (in his feature directorial debut), based on Sergey Fetisov's memoir The Story of Roman.[4] The film stars Tom Prior (who also co-wrote and co-produced), Oleg Zagorodnii, and Diana Pozharskaya. Set in the Soviet Air Force during the Cold War, it tells the true story of forbidden love between a private and a fighter pilot.[5]
Sergey, a young private in the Soviet Air Force, has only a few weeks remaining in his military service. He and his friends bristle under the tight control of the military commanders. He appears to have a budding romance with Luisa, the secretary to the base commander, and he indulges in a photography hobby that is barely tolerated by his superiors. He's assigned to assist a new fighter pilot, Roman, when he arrives. An undeniable passion between them develops, despite the threat of imprisonment that hangs over homosexual romances under the Soviet regime. Nonetheless, they consummate their attraction to one another and are nearly found out by a KGB agent.
Roman encourages Sergey to study acting in Moscow instead of returning to his family's farm when he leaves the service. A year after Sergey leaves and finds a new life in the theater, he is invited to Roman and Luisa's wedding. He attends and barely contains his disappointment in Roman and continuing love for him.
Roman and Luisa have a child together, but their marriage is a sham, and he continues to yearn for Sergey. Roman leaves his wife and son ostensibly to study in Moscow. He secretly rents an apartment with Sergey and they cohabit happily and take vacations together. However, Luisa and their son come to Moscow for Christmas and Roman and Sergey's love is revealed to her. She is enraged at both Roman and Sergey by this revelation and the two men must part.
Later, Roman is assigned to participate in the Soviet–Afghan War, where he is killed. After his death, Sergey visits Luisa, who is still very angry at him. He returns to his life as an actor in Moscow and is last seen watching a production of Igor Stravinsky's ballet, The Firebird, which Roman had introduced him to.
Peeter Rebane first came across the story of Firebird in 2014 when Sergei Lavrentiev, film critic and actor, gave him a copy of The Story of Roman by Sergey Fetisov.[8] Rebane collaborated with actor and screenwriter Tom Prior, who was previously in The Theory of Everything and Kingsman: The Secret Service. Rebane and Prior interviewed Fetisov before his death in 2017 to gain materials for the film's production.
Casting
Prior was first approached to play Sergey Serebrennikov before becoming involved in the writing process.[8] Oleg Zagorodnii, a Ukrainian actor, was then cast to play the role of Roman Matvejev. Zagorodnii, who's been in a couple of Russian stage productions, was hesitant about taking on the role, citing his limited English.
While in Moscow, Rebane came across Diana Pozharskaya, a Russian actress and dancer, who he believed had the right energy to play the part. "Ninety percent of a director’s job is casting," said Rebane. "If you cast the right personality, with the right energy for the role you are off to a good start."
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On the review aggregator website Rotten Tomatoes, which categorizes reviews only as positive or negative, 55% of 49 reviews are positive, with an average rating of 5.60.[19] On Metacritic, the film has a weighted average score of 49 out of 100, based on 11 critics, indicating "mixed or average reviews".[20] Randy Myers in his review for the San Jose Mercury News said it is "a glossy and classy melodrama that soars with passion and is elevated by strong production values, heartfelt performances and a story arc that journeys to unexpected destinations".[21] In the Daily Mirror (UK), Lewis Knight said that it "is not a revolutionary Queer romance by any means but it is a glossy love story with conviction and genuine historical tragedy."[22]
In less favorable reviews, Ed Gonzalez wrote for Slant Magazine that the movie is suffocated by "clichés and then there are only clichés".[23] Mark Keizer of The A.V. Club gave the movie a "C", praising the lead actors' chemistry and beauty but found its melodramatic screenplay does the film "no favor".[24]
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