.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}You can help expand this article with text translated from the corresponding article in German. (June 2018) Click [show] for important translation instructions. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 8,933 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Erckmann-Chatrian]]; see its history for attribution. You should also add the template ((Translated|de|Erckmann-Chatrian)) to the talk page. For more guidance, see Wikipedia:Translation.
Woodburytype of Émile Erckmann and Alexandre Chatrian circa 1875

Erckmann-Chatrian was the name used by French authors Émile Erckmann (1822–1899) and Alexandre Chatrian (1826–1890), nearly all of whose works were jointly written.[1]

History

Both Erckmann and Chatrian were born in the département of Meurthe (now Moselle), in the Lorraine region in the extreme north-east of France. They specialised in military fiction and ghost stories in a rustic mode [2] Lifelong friends who first met in the spring of 1847, they finally quarreled during the mid-1880s, after which they did not produce any more stories jointly. During 1890 Chatrian died, and Erckmann wrote a few pieces under his own name.[2]

Many of Erckmann-Chatrian's works were translated into English by Adrian Ross.[3]

Tales of supernatural horror by the duo that are well known in English include "The Wild Huntsman" (tr. 1871), "The Man-Wolf" (tr. 1876)[4] and "The Crab Spider." These stories received praise from the renowned English ghost story writer, M. R. James,[1] as well as H. P. Lovecraft.[2]

Erckmann-Chatrian wrote numerous historical novels, some of which attacked the Second Empire in anti-monarchist terms.[5] Partly as a result of their republicanism, they were praised by Victor Hugo and Émile Zola, and fiercely attacked in the pages of Le Figaro. Gaining popularity from 1859 for their nationalistic, anti-militaristic and anti-German sentiments, they were well-selling authors but had trouble with political censorship throughout their careers. Generally the novels were written by Erckmann, and the plays mostly by Chatrian.

A festival in their honour is held every summer in the town of Erckmann's birth, Phalsbourg (German Pfalzburg), which also contains a military museum exhibiting editions of their works.

Works

Erckmann-Chatrian Monument in Phalsbourg, Moselle

First works[edit]

Many of these were not published until the 1860s.

From 1859[edit]

After the Franco-Prussian War[edit]

English translations[edit]

References

  1. ^ a b Mary Ellen Snodgrass, Encyclopedia of Gothic Literature. New York, Facts on File (2004). ISBN 0816055289 (p.104)
  2. ^ a b c Hugh Lamb, "Erckmann-Chatrian", in Jack Sullivan, The Penguin Encyclopedia of Horror and the Supernatural, New York City, U.S. : Viking, 1986. ISBN 0670809020 (pp. 144–5)
  3. ^ Richard Dalby "Introduction", to Adrian Ross, The Hole of the Pit: And by One, by Two and by Three. The Oleander Press, 2013 ISBN 0900891866 (p. 10.)
  4. ^ Chantal Bourgault du Coudray, The Curse of the Werewolf: Fantasy, Horror and the Beast Within. I.B.Tauris, 2006 ISBN 1845111583, (pp. 45–6).
  5. ^ "The duo of Émile Erckmann and Alexander Chatrian, who had criticized the Second Empire through novels set in the Revolution such as Madame Thérèse (1863)"...Christopher Hill, National History and the World of Nations: Capital, State, and the Rhetoric of History in Japan, France, and the United States. Duke University Press, 2008 ISBN 0822389150, (p. 238).

Bibliography