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Edward Foreman (1937 – 2018) was an American operatic bass, scholar of singing technique, and teacher. He was founder and editor of the Pro Musica Press (Minneapolis), which reprinted historical treatises in facsimile and transcription, and also translated them into English.[1] According to Richard Wistreich, these translations offer a uniquely comprehensive and valuable collection of Bel Canto pedagogy in English. He argues that "a growing number of influential singing teachers […] agree [with Foreman]", that there should be a revival of those old, healthy, singing practices.[2]

Foreman’s book ‘The Art of bel canto in the Italian Baroque. A Study of the Original Sources’, which covers the period between 1562 and 1810, was recommended as an excellent and accurate resource that avoids dissecting the original sources to fit recent concepts of pedagogy. [3]

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References

  1. ^ Ogdon N, Beverly J. (April 2013). "Bel canto training in Niccolo Porpora's England with a twentieth century rationale". The Phenomenon of Singing. 2: 170–176.
  2. ^ Wistreich, Richard (2007). "Lost Voices". Early Music. 35 (3): 456–58.
  3. ^ Greschner, Debra, 'Edward V. Foreman, The Art of bel canto in the Italian Baroque. A Study of the Original Sources.' Journal of Singing, 2008, Mar 1, Retrieved Mar 26 2023