American gangster Frank Buchanan (Michael Granger) forces German scientist Wilhelm Steigg to create zombies by resurrecting corpses through atomic radiation in order to exact revenge on his enemies.
A hulking zombie breaks into a mansion and kills a gangster named Hennesy. The glowing bloodstains left behind at the crime scene are radioactive, as are the killer's fingerprints –which are of a man who had died days. The police are baffled, but begin their investigation.
They soon discover that the connection between Hennesy and subsequent murders is Frank Buchanan, a former crime boss who had been deported to Europe. While there, Buchanan funded the research of German scientist Wilhelm Steigg to reanimate the dead. Having returned (with Steigg still beholden to him for funding) to the States, Buchanan seeks revenge on all who had sent him to prison in the first place.
The putative zombies, although they move fairly slowly, obey their radioed commands explicitly, have fantastic strength, and although they have no initiative can readily navigate the city and perform fairly complex tasks. They can drive, speak on behalf of Buchanan (including over the phone), are impervious to bullets, including those fired at point-blank range, and can bend steel bars and tear off steering wheels with ease. Too, they all have massive scars visible on their foreheads from their brain surgery.
Following the fantastic clues yet irrefutable clues under the leadership of Chet Walker, both police and army troops eventually converge on Buchanan's mansion. Buchanan summarily kills Steigg and sends out a horde of zombies to battle them. Chet Walker, who had been in overall charge of the investigation, smashes the atomic-powered equipment which controls them, rending them useless.
The film was made by Sam Katzman's Clover Productions for Columbia Pictures Corp.[2] Later analysis has suggested that the film Donovan's Brain provided influence on this one.[3]
Reception
The Williamson Daily News noted in January, 1956 that the film had "chills and suspense".[4] One local educational group of teachers found that the film was a "grotesque distortion of scientific facts" that would "create fear and confusion in the minds of children".[5]
In The Zombie Movie Encyclopedia, academic Peter Dendle wrote, "Good '50s fun abounds, with all the twisted gender ideology and antiseptic social ideals that that implies, packed in a tightly-wrought action film with strong (if entertainingly dated) conceptual support".[6] David Maine of PopMatters rated it 6 out of 10 stars and called it "a thoroughly enjoyable, noir-ish SF chiller, if you can get past the dingbat wife and cutie-pie kid".[7]
Psychiatrist, Sharon Packer, notes that the film draws influence from 1919's The Cabinet of Dr. Caligari for its "idea of creating mindless surrogates".[8]
Roky Erickson and the Aliens, a band whose lyrics often riffed on old horror and science fiction movies, recorded a song titled "Creature with the Atom Brain" in 1980. This song, in turn, became the namesake of the Belgian rock band Creature with the Atom Brain.[12] In addition, The Celibate Rifles released a song titled "Return of the Creature with the Atom Brain".[13]
Director Cahn would go on to make Invisible Invaders (1959) using the same basic concept (invading aliens inhabit the reanimated corpses of humans).
Warren, Bill. Keep Watching the Skies: American Science Fiction Films of the Fifties, 21st Century Edition. Jefferson, North Carolina: McFarland & Company, 2009 (First Edition 1982). ISBN0-89950-032-3.
