Contra-Alto clarinet
A Contra-alto clarinet with range to low E♭ (right) in comparison with an Alto clarinet with range to low C.
(Buffet Crampon/Dietz)
Woodwind instrument
Classification
Hornbostel–Sachs classification
(Single-reeded aerophone with keys)
Playing range
Written and sounding ranges of the contra-alto clarinet.

The sounding range is G1 to B♭4.
Related instruments
Contra-alto clarinet by Selmer made of rosewood, with imposing size of the bell.
Maldura's contralto clarinet, c. 1880, known as Clarone grande from the side, and a newer instrument from the front.
Clarinets "Paperclip" by Georges Leblanc Paris as contra-alto and as contrabass clarinet
A 352 Leblanc contra-alto clarinet (left) compared to a 342 Leblanc contrabass clarinet.
Buffet Crampon contra-alto clarinet compared to a Selmer contrabass clarinet

The contra-alto clarinet, E♭ contrabass clarinet, is a large clarinet pitched a perfect fifth below the B♭ bass clarinet. It is a transposing instrument in E♭ sounding an octave and a major sixth below its written pitch, between the bass clarinet and the B♭ contrabass clarinet.

The contra-alto clarinet is often used in clarinet choirs[1] and ensembles of clarinets and saxophones. It may also be present in a wind band. The repertoire for contra-alto clarinet in the symphony orchestra is limited. In ensembles it is usually used in unison with the other woodwind instruments, such as (bassoon, bass clarinet and contrabass clarinet), or it plays the lower octave in addition. [citation needed]

History

The contra-alto clarinet[2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century:

20th century

Other makers of contra-alto clarinets have developed mainly stretched models. These include:

Today's contra-alto clarinets are mainly based on the Boehm system, although models with the German system also existed in the past.

Description and technique

The range of most contra-alto clarinets extends downwards to its low E♭ (concert G♭1). Some models go down to D (concert F1) or C (concert E♭1). For this the instrument must be longer and have additional keys which the player operates with the right thumb and/or little fingers (as with the basset horn). In the altissimo range, the fingerings on the contra-alto clarinet are sometimes different from those on the higher clarinets.[10]

Modern contra-alto clarinets have a double (or even triple) automatic stop key. [citation needed]

The contra-alto clarinet has a curved bell, mainly made of metal, which is necessary for sound projection. It is located in the lowest part of the instrument. On the curved clarinets ("paper clip") the bell is in the upper part of the instrument.

The instrument can be played sitting down or standing up with the help of a peg or a strap.

In orchestration, the contra-alto clarinet's playing is as fast as that of the bass clarinet. Unlike other low wind instruments (contrabassoon, tuba, ...) it can play a wide range of nuances from "fff" to "ppp" and articulations ("legato", "staccato", slap, ...). In contemporary music, composers use its ability to produce polyphonic sounds. [citation needed]

Length

The length of the tube (without bell) ranges from about 190 centimeters for a contra-alto clarinet, which lowest written tone is E♭, and up to about 230 centimeters for an instrument down to C.

Repertoire

As the contra-alto clarinet is a relatively young instrument, its repertoire is limited and much smaller than that of the contrabass clarinet. It is represented in all musical styles that emerged after the end of the 19th century, from neoclassicism, New Music, jazz and contemporary music to experimental rock. [citation needed]

In the mid-1960s, pieces in which contra-alto clarinets were also used were said to be heard even from the loudspeakers of small television sets.[citation needed] The instrument was also in Hollywood: early episodes of The Twilight Zone, Star Trek [citation needed]

Given the limited written repertoire in orchestras and ensembles, contra-alto clarinets can play in unison with other low wind instruments or provide a foundation in the lower octave to the woodwinds playing higher (organ pedal effect).

Parts for baritone saxophone in E♭ for wind bands can also be used for contra-alto clarinet. There are also transcriptions and transpositions of pieces written for low instruments in C, such as double bass, bass guitar, bassoon, and tuba.

In the publishing houses, part of the repertoire of the contra-alto clarinet is shared with that of the contrabass clarinet.

Neoclassicism

Contemporary solo and chamber music

Clarinet ensemble

Wind orchestra

Americans became aware of the importance of instrumentation during the 20th century to give instruments such as the contra-alto clarinet a place in the brass band (in English military band or concert band).[13]

Arrangements

There are arrangements for this instrument drawn from the repertoire for other low wind instruments (tuba, bassoon, ...).

CD recordings with contra-alto clarinet

Recordings in which the contra-alto clarinettist appears as a soloist or chamber musician are extremely rare. A compact disc of duets for contra-alto and contrabass clarinets was recorded in 2018.[14]

Bibliography

References

  1. ^ Weerts, Richard K. (1964). "The Clarinet Choir". Journal of Research in Music Education. 12 (3): 227–230. doi:10.2307/3343790. JSTOR 3343790. S2CID 144443887. Retrieved 2 October 2021 – via JSTOR.
  2. ^ Lavoix, Henri (1846–1897) Auteur du texte (2 October 1878). Histoire de l'instrumentation, depuis le XVIe siècle jusqu'à nos jours, par H. Lavoix fils... Retrieved 2 October 2021 – via gallica.bnf.fr.((cite book)): CS1 maint: numeric names: authors list (link)
  3. ^ Description des machines et procédés spécifiés dans les brevets d'invention, publ. par C.P. Molard. [With] Table générale des vingt premiers volumes. [Continued as] Description des machines ... pour lesquels des brevets d'invention ont été pris sous le régime de la loi du 5 juillet 1844 Ministère de l'agriculture et du commerce, Description des machines et procédés spécifiés dans les brevets d'invention pour lesquels des brevets d'invention ont été pris sous le régime de la loi du 5. juillet 1844 (Description of the machines and processes specified in the patents for which patents have been taken out under the law of 5 July 1844).
  4. ^ "Vincent d'Indy Research Papers - Academia.edu". www.academia.edu. Retrieved 2 October 2021.
  5. ^ Schlesinger, Kathleen (1911). "Pedal Clarinet" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 21 (11th ed.). Cambridge University Press. p. 36.
  6. ^ Lucien Cailliet, The Leblanc Contralto and Double Bass Clarinets (book)
  7. ^ "Eb_Contra-alto". www.lynsgarden.co.uk. Retrieved 2 October 2021.
  8. ^ "Le chtiot musée des Clariboles et Cie: Clarinettes graves en métal (Post 2)". 7 December 2008. Retrieved 2 October 2021.
  9. ^ "Alto, Bass & Contra Clarinets | Martin Freres Company". Retrieved 2 October 2021.
  10. ^ Timothy Reichard. "Alternative fingering chart for Boehm system alto, bass and contra-alto clarinet – Altissimo register:C6# to E7b".
  11. ^ Friedrich K. Pfatschbacher (2017), Tredition GmbH (ed.), Der Klarinettenchor, eine spezielle Ensembleform erobert die internationalen Konzertbühnen (The Clarinet Choir: A Special Ensemble Form Conquers the International Concert Stages) (in German), Tredition, p.  148, ISBN 978-3-7439-4241-7
  12. ^ McGavin, Eric A. (1956). "[Letter from Eric A. McGavin]". Tempo (41): 35–36. doi:10.1017/S0040298200053109. JSTOR 943753. Retrieved 2 October 2021 – via JSTOR.
  13. ^ Reed, Alfred (1962). "The Instrumentation of the Band". Music Educators Journal. 49 (1): 56–61. doi:10.2307/3389765. JSTOR 3389765. S2CID 143760887. Retrieved 2 October 2021 – via JSTOR.
  14. ^ Jason Alder and Piotr Michalowski (10 July 2019). "Compact disc page Contradictions. Duets for Contrabass and Contra-Alto".
  15. ^ Ken Waxman (31 January 2005). "ALBERTO PINTON Quintet, The Visible, Moserobie (MMP, CD 022)". JazzWord. Com. Archived from the original on 7 October 2021.
  16. ^ Jason Alder (18 March 2018). "Audio Reviews – March 2018".
  17. ^ Alice Leclercq (9 February 2020). "In the intimacy of the beautiful". cititizenjazz.com.