Call Her Savage | |
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File:Callhersavage.jpg | |
Directed by | John Francis Dillon |
Written by | Tiffany Thayer (novel) Edwin J. Burke |
Produced by | Sam E. Rork |
Starring | Clara Bow Gilbert Roland |
Cinematography | Lee Garmes |
Edited by | Harold D. Schuster |
Music by | Peter Brunelli Arthur Lange |
Distributed by | Fox Film Corporation |
Release date | November 24, 1932 |
Running time | 82-92 minutes |
Country | United States |
Language | English |
Call Her Savage (1932) is a Pre-Code drama film directed by John Francis Dillon and starring Clara Bow.[1] The film was Bow's second-to-last film role.
The film was restored in 2012 by the Museum of Modern Art and premiered at the third annual Turner Classic Movies Film Festival in Hollywood.[2]
A wild young woman, born and raised in Texas, rebels against the man she believes to be her father. Moving to Chicago, she marries badly, loses her child in a boardinghouse fire, is nearly forced to become a prostitute, and is renounced by her father, who tells her he never wishes to see her again. Upon learning that her mother is dying, she hurries home to Texas. There she learns that she is a so-called "half-breed," half white and half Indian. This knowledge allows her the possibility for happiness in the arms of a handsome young Indian who has long loved her from afar.
This is a film that is about the status of women in the 1920's and racism against American Indians. The film is really a prologue to modern feminism and the centers on the humanity of Native Americans, hence the title of the film.
In the documentary film The Celluloid Closet, an exerpt of Call Her Savage shows Nasa in the back of a taxicab, with a man who says "You wanted to go slumming, so I'm taking you to a place in the Village that's pretty rough", followed by a shot of the pair entering a gay bar.
Films directed by John Francis Dillon | |
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1910s |
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1920s |
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1930s |
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