.mw-parser-output .hidden-begin{box-sizing:border-box;width:100%;padding:5px;border:none;font-size:95%}.mw-parser-output .hidden-title{font-weight:bold;line-height:1.6;text-align:left}.mw-parser-output .hidden-content{text-align:left}@media all and (max-width:500px){.mw-parser-output .hidden-begin{width:auto!important;clear:none!important;float:none!important))You can help expand this article with text translated from the corresponding article in Italian. (June 2022) Click [show] for important translation instructions. View a machine-translated version of the Italian article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Bruno Sperani]]; see its history for attribution. You may also add the template ((Translated|it|Bruno Sperani)) to the talk page. For more guidance, see Wikipedia:Translation.

Vincenza Beatrice Speraz (1843 in Split – 4 December 1923 in Milan), known by her literary pseudonym Bruno Sperani, was an Italian writer, best remembered for her novels Cesare (1879), L'avvocato Malpieri (1888), Maddalena (1892), Emma Walder (1893), and The Lady of the Regina (1910).[1][2][3]

References

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  1. ^ Bruce, Merry (1997). "Sperani, Bruno (1839-1923)". In Russell, R. (ed.). The Feminist Encyclopedia of Italian Literature. London: Greenwood Press. pp. 320–321.
  2. ^ Colummi Camerino, Marinella (1994). "Donne nell'ingranaggio. La narrativa di Bruno Sperani,". In Genevois, E. (ed.). Les femmes-écrivains en Italie (1870-1920): ordres et libertés (in Italian and French). Paris: Chroniques Italiennes-Université de la Sorbonne Nouvelle. pp. 75–88.
  3. ^ Croci, Paolo (2013). "«La fabbrica». L'universo „troppo umano" di Bruno Sperani". Otto/Novecento (in Italian). XXXVII (3): 59–76.
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