The Convert | |
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Directed by | Lee Tamahori |
Screenplay by |
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Story by | Michael Bennett |
Based on | Wulf by Hamish Clayton |
Produced by |
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Starring | |
Cinematography | Gin Loane |
Edited by | Luke Haigh |
Music by | Matteo Zingales |
Production companies |
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Release dates |
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Countries |
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Languages | Māori, English |
The Convert is a 2023 film directed by Lee Tamahori, and starring Guy Pearce and Te Kohe Tuhaka. The script is by Shane Danielsen and Tamahori, from a story by Michael Bennett, and produced by Jump Film & Television and Brouhaha Entertainment
It premiered at the Toronto International Film Festival on 7 September 2023. The film was released in New Zealand cinemas on 14 March 2024.[1]
A lay preacher Thomas Munro at a British settlement in New Zealand called Epworth [2] gets caught in a bloody war between Māori tribes in the 1830s.[3]
A joint-production between New Zealand’s Jump Film & Television and Brouhaha Entertainment from Australia, producers on the project are Robin Scholes, Te Kohe Tuhaka, Andrew Mason and Troy Lum. The project has Bradford Haami as executive producer, with Ngamaru Raerino on board as a Māori cultural consultant.[4] Mister Smith Entertainment took the film for global sales at the 2022 Cannes Film Festival.[5]
Funding came from the New Zealand Film Commission and the New Zealand Premium Production Fund with principal photography starting in the North Island in September 2022.[6] Filming locations included West Auckland beaches, Studio West, and other locations around the Auckland and Northland regions.[7][8][9] with principal photography finishing by November 2022.[10]
The Convert premiered at the Toronto International Film Festival on 7 September 2023.[11] The film was released in cinemas across in New Zealand on 14 March 2024.[1]
On the review aggregator website Rotten Tomatoes, 78% of 9 critics' reviews are positive, with an average rating of 6.5/10.[12]
The Post's Graeme Tuckett gave The Convert a mixed review, awarding film three and a half out of five stars. While Tuckett praised the film's screenplay, cinematography and the performances of the cast members, he described the middle part of the story as "muddled and unnecessary."[1]