Rana El Nemr (also Rana Elnemr, Egyptian, born 1974 in Hanover, Germany) is a visual artist based in Cairo, Egypt.[1] Working primarily in photography, she has undertaken explorations of contemporary Egyptian urban life, including Cairo's architectural features, public/private spaces, middle-class identity, and the larger urban environment. Her artistic practice moves from formalist explorations of photography as a medium to genre-bending visual essays of her surroundings in Egypt. Her practice is anchored in questioning what it means to live and experience place and time, through recording, describing, and reflecting on this experience via photography, film, texts and conversations. El Nemr's artistic process incorporates formal image-making techniques with contemporary artistic practices, and it strives to integrate various forms of collaborations in different constellations, such as trans-disciplinary collaborations and alternative pedagogical practices among many others.[2] She is a co-founder of the Contemporary Image Collective (CIC), an institution founded in 2004 in Downtown Cairo, whose programming includes lectures, screenings, and workshops that explore the changing role of photography in contemporary visual culture.[3] El Nemr remains an active board member of CiC.[4]
El Nemr studied photojournalism, advertising, and arts at the American University, Cairo. She has exhibited internationally, including in Lebanon, Switzerland, Germany, Japan, Finland, and the United States.[4] One of El Nemr's noted series, The Metro, from 2003, presents women in traditional and non-tradition clothing in the Cairo subway, compositionally framed by the structure of the train cars.[5]