A fictional book is a text created specifically for a work in an imaginary narrative that is referred to, depicted, or excerpted in a story, book, film, or other fictional work, and which exists only in one or more fictional works. A fictional book may be created to add realism or depth to a larger fictional work. For example, George Orwell's novel Nineteen Eighty-Four has excerpts from a book by Emmanuel Goldstein entitled The Theory and Practice of Oligarchical Collectivism which provides background on concepts explored in the novel (both the named author [Goldstein] and the text on collectivism are made up by Orwell).

A fictional book may provide the basis of the plot of a story, a common thread in a series of books or other works, or the works of a particular writer or canon of work. An example of a fictional book that is part of the plot of another work (in addition to Nineteen Eighty-Four) is Philip K. Dick's The Man in the High Castle, in which resistance member circulate a banned book entitled The Grasshopper Lies Heavy. An example of a fictional book linking a series is Encyclopedia Galactica, an imaginary set of encyclopedias created by Isaac Asimov and referred to in the novels in his Foundation Series. An example of an author referring to a fictional book in a number of unconnected works is Jack Vance's quotes from an imaginary twelve-volume opus entitled Life by Unspiek, Baron Bodissey in Vance's novels (Bodissey is a fictional character created by Vance).

Examples

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References

  1. ^ Laycock, Joseph P. “How the Necronomicon Became Real: The Ecology of a Legend.” In The Paranormal and Popular Culture, 1st ed., 184–97. Routledge, 2019.
  2. ^ Thrall, James H. “Shifting Histories, Blurred Borders, and Mediated Sacred Texts in Philip K. Dick’s The Man in the High Castle.” Literature & Theology 32, no. 2 (2018): 211–25.
  3. ^ Bloch, W. L. G. “The Unimagined: Catalogues and The Book of Sand in the ‘Library of Babel.’” Variaciones Borges. Jorge Luis Borges Center for Studies & Documentation 19, no. 19 (2005): 23–40.
  4. ^ Bynoe, Robin. (2022) "Furnishing a Meta-Room" The Anthony Powell Society Newsletter 86 (spring):21-24.
  5. ^ Darling, Rachel Jane. “Fools and Heroes: The Changing Representation of the Novelist-Character.” ProQuest Dissertations Publishing, 2014.
  6. ^ Francisco Collado-Rodríguez. (2013) “Textual Unreliability, Trauma, and The Fantastic in Chuck Palahniuk’s ‘Lullaby.’” Studies in the Novel 45, no. 4: 620–37.
  7. ^ Bolton, Micheal Sean (2014). Mosaic of Juxtaposition. Brill Publishers. p. 174. ISBN 978-9042038486.
  8. ^ Huber, I. Literature after Postmodernism Reconstructive Fantasies. 1st ed. 2014. London: Palgrave Macmillan UK, 2014.
  9. ^ Welsh, Timothy J. “When What’s Real Doesn’t Matter: House of Leaves.” In Mixed Realism, 103–. University of Minnesota Press, 2016.
  10. ^ Omlor, Daniela. “Mirroring Borges: The Spaces of Literature in Roberto Bolaño’s 2666.” Bulletin of Hispanic Studies (Liverpool : Liverpool University Press : 1996) 91, no. 6 (2014): 659–70.

Further reading